AristideCavaillé-Collwaswithout doubtthemostdistinguishedorgan builderofthe19thcentury.Hewas theinitiatoroftheorchestralstyleof French organ building and composing. Hedescendedfromafamilyoforgan buildersinthesouthofFranceand northofSpain.HewenttoParisin 1833andhewasawardedacontract foralargeorganforthebasilicaof Saint-Denis.Thishighlyinnovativeinstrumentwouldbecomea modelforthemorethan600organswhichhewouldbuiltuntilhis death in 1899. Hewasagreatinnovatorintheartandscienceoforganbuilding andhadapronouncedinfluenceonthecourseoforganbuilding andorgancomposinginthe19thcentury.Hewrotemanyscientific journalarticlesandbooksontheorganinwhichhepublishedthe results of his researches and experiments. These innovations included:•the wind supply•mechanical innovations, first part•mechanical innovations, second partTheworkofCavaillé-Collcanbedistinghuisedintothreedistinct periods*: - the ´post-classical´ period: the early works (eight organs in Paris)-the'operatic'period:from1851to1871duringtheSecondEmpire (14 organs in Paris) -the´symphonic´period:thelateworksduringtheThirdRepublic (16 organs in Paris)More information: Hans Klotz & Kurt Lueders:Aristide Cavaillé-Coll
Inventions or innovations by Aristide Cavaillé-Coll1834Invention of the poïkilorgue (Toulouse)1839Windchests with two or three sections of different wind pressure (Temple des Billettes)1841Swell box with three stages level of opening (Cathédrale de Saint-Denis)1841Barker’s lever (Saint-Denis)1855Swell box for two sectionsWidening the keyboard scale: manual up to 56 tones, pedalboard up to 27 tones (Exposition universelle)1841- 1868New organ stops: flûtes harmoniques (Saint-Denis 1841), Voix Célestes (La Madeleine 1846).1863Advanced pneumatic system for switching the stops (Saint-Sulpice)1868Amplification of additional harmonic tones (sevenths in Notre-Dame)1873Widening the keyboard scale up to 61 tones (Albert Hall in Sheffield)Expression box for three of four manual sections (Albert Hall-Sheffield)Source : facebook page Aristide Cavaillé-Coll, October 19, 2022
AristideCavaillé-Collwaswithoutdoubtthemostdistinguished organbuilderofthe19thcentury.Hewastheinitiatorofthe orchestral style of French organ building and composing. Hedescendedfromafamilyoforganbuildersinthesouthof FranceandnorthofSpain.HewenttoParisin1833andhewas awardedacontractforalargeorganforthebasilicaofSaint-Denis. Thishighlyinnovativeinstrumentwouldbecomeamodelforthe more than 600 organs which he would built until his death in 1899. Hewasagreatinnovatorintheartandscienceoforganbuilding andhadapronouncedinfluenceonthecourseoforganbuilding andorgancomposinginthe19thcentury.Hewrotemanyscientific journalarticlesandbooksontheorganinwhichhepublishedthe results of his researches and experiments. These innovations included:•the wind supply•mechanical innovations, first part•mechanical innovations, second partTheworkofCavaillé-Collcanbedistinghuisedintothreedistinct periods*: - the ´post-classical´ period: the early works (eight organs in Paris)-the'operatic'period:from1851to1871duringtheSecondEmpire (14 organs in Paris) -the´symphonic´period:thelateworksduringtheThirdRepublic (16 organs in Paris)More information: Hans Klotz & Kurt Lueders:Aristide Cavaillé-Coll